{"id":432,"date":"2024-05-10T13:41:33","date_gmt":"2024-05-10T11:41:33","guid":{"rendered":"https:\/\/electronicid.de\/en\/?post_type=project&p=432"},"modified":"2024-05-11T13:20:08","modified_gmt":"2024-05-11T11:20:08","slug":"transparence","status":"publish","type":"project","link":"https:\/\/electronicid.de\/en\/project\/transparence\/","title":{"rendered":"Transparence"},"content":{"rendered":"\n
\n
\n
\n
\"\"<\/figure><\/div><\/div>\n\n\n\n
\n

Transparency in a digital society<\/h3>\n\n\n\n

Transparence is a piece about transparency in our digital society, a society where\u2014with a view to readily available information\u2014trust as a social practice becomes obsolete and gives way to control. Thus, the transparency society has a structural proximity to the surveillance society.<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

\n
\n
\n

Causal correlations and big data<\/h3>\n\n\n\n

Understanding human needs becomes relative for those who have power over data. Whoever understands Big Data understands behavioral patterns and social phenomena before the individual can even anticipate them. Correlation replaces causality, and the question of why becomes unnecessary in the face of “it is so.”<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\"\"<\/figure><\/div><\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/figure><\/div><\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/figure><\/div><\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/figure><\/div><\/div>\n<\/div>\n\n\n\n
<\/span>
\n
\n

\u201cGoogle Glass totalizes the hunter’s optics, which blocks out everything that promises no prey, i.e. no information. The deeper happiness of perception, of seeing, however, lies in its lack of efficiency. It arises from the long gaze that lingers with things without exploiting them.\u201d<\/em><\/h4>\n\n\n\n

Byung-Chul Han, In The Swarm<\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

\n
\n
\n

Pablo Garret\u00f3n <\/h3>\n\n\n\n

Pablo Garret\u00f3n is a composer with interests in chamber music with electronics, sound art, video installation and performance. In all these different formats, he always works with his personal attention to detail and relates sound to our society and the environment. Garret\u00f3n studied composition in Santiago de Chile and completed a master’s degree in electronic music with Michael Beil as well as the concert exam at the Hochschule f\u00fcr Musik und Tanz in Cologne.<\/p>\n\n\n\n

He has worked as a composer and performer with live electronics in solo pieces and in numerous interdisciplinary projects. His interest in critical perspectives on new technologies has led to pieces such as his transmedia installations \u201cRe-cognize me 2.0\u201d in 2021 and \u201cTransparence\u201d in 2023, in which he combines live video, composition, electronic music and performance.<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

Text basis: In the swarm – views of the digital<\/h3>\n\n\n\n

\u201cIn the Swarm\u201d is a book by South Korean philosopher Byung-Chul Han that deals with the effects of digitalization and technology on society and the human psyche. Han describes the negative effects of information technology and social media on individuals and society, in particular the rapid increase in isolation and excessive demands. The book challenges us to think about how we behave in a digital world and how we can defend ourselves against its negative effects.<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

<\/span>
\n
\n

\u201cTrust is an act of faith that is becoming obsolete in the face of readily available information. The information society discredits all faith.\u201d<\/h4>\n\n\n\n

Byung-Chul Han, In The Swarm<\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

\n
\n
\n

Libretto and ChatGPT <\/h3>\n\n\n\n

ChatGPT is an AI language model trained by OpenAI. It uses a technology called \u201cTransformer\u201d and can perform tasks such as text generation, text summarization and question-answering systems. It is able to understand and generate natural language, making it a tool in applications such as chatbots, virtual assistants and more. ChatGPT can compose poems and formulate them according to certain specifications. The libretto was created accordingly.<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

Paul Pape<\/h3>\n\n\n\n

Paul Pape lives and works in Offenbach am Main. He studies at the HfG Offenbach am Main – Hochschule f\u00fcr Gestaltung und Kunst – in the photography class with Prof. Martin Liebscher and in the graphic design class with Prof. Sascha Lobe and Prof. Klaus Hesse.
Paul is a member of Atelier W\u00e4scherei in Offenbach am Main. He co-developed and built the stage set – the transparent screens – for Transparence.<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

Making of…<\/h3>\n\n\n\n

Transparence has been in development since the commission was awarded to Pablo Garret\u00f3n at the beginning of 2022. The piece is musically and visually full of challenges and requires well thought-out spatial planning. The particular difficulty here was to conceive a visually sophisticated piece of music theater that is also flexible enough to be performed after the premiere. This gave rise to the idea of developing mobile screens made from opera foils. <\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

\n
\n
\n