1.0electronic idhttps://electronicid.de/enadminhttps://electronicid.de/en/author/noreply_pz3nw9at/Perfect „Social distancing“ - electronic idrich600338<blockquote class="wp-embedded-content" data-secret="Sl7bgl47tC"><a href="https://electronicid.de/en/article/perfect-social-distancing/">Perfect „Social distancing“</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://electronicid.de/en/article/perfect-social-distancing/embed/#?secret=Sl7bgl47tC" width="600" height="338" title="“Perfect „Social distancing“” — electronic id" data-secret="Sl7bgl47tC" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script>
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https://electronicid.de/en/wp-content/uploads/sites/3/2022/11/2-1024x528.png1024528In the beginning, the room was desolate and empty. But then "avatars" scurried around, provided light, dragged objects in, started up instruments, machines, record players and televisions. Something began to glow, to sound, to move. Like the Old Testament creation story, Hamburg composer Alexander Schubert's "Genesis" project lasted a full seven days of creation, from Monday to Sunday, twenty-four hours each non-stop. It was the only event of the fifth International Music Festival Hamburg that was able to go on stage unscathed at the end of April despite Corona, while all concerts in the Elbphilharmonie, as elsewhere, had to be cancelled due to contact restrictions and assembly bans.